Everything about Brick Gothic totally explained
Brick Gothic (
German:
Backsteingotik) is a reduced style of
Gothic architecture common in
Northern Europe, especially in
Northern Germany and the regions around the
Baltic Sea without natural rock resources. The buildings are built more or less using only
bricks. Brick Gothic buildings therefore are to be found in the
Baltic countries Denmark,
Finland,
Germany,
Poland,
Lithuania,
Latvia,
Estonia,
Belarus,
Russia and
Sweden. Brick Gothic architecture of the
Iberian Peninsula is different in nature; it's discussed under
Mudéjar Gothic.
The use of baked
red brick in Northern Europe began during the 12th century, so the oldest such buildings belong to the
Brick Romanesque. In the 16th century, Brick Gothic was superseded by
Brick Renaissance architecture.
Brick Gothic is characterised on the one hand by the lack of figural
architectural sculpture, widespread in other styles of Gothic architecture, but impossible to achieve on the basis of brick, and on the other by its creative subdivision and structuring of walls, using built
ornaments and the colour contrast between red bricks, glazed bricks and white lime plaster.
Many of the old town centres dominated by Brick Gothic, as well as some individual structures, have been listed as
UNESCO World Heritage sites.
Distribution
Brick architecture is primarily found in areas that lack sufficient natural supplies of
building stone. This is the case across the
Northern European Lowlands. Since the German part of that region (the Northern German Plain, except
Westphalia and the
Rhineland) is largely concurrent with the area influenced by the
Hanseatic League, Brick Gothic has become a symbol of that powerful alliance of cities. Along with the
Low German Language, it forms a major defining element of the Northern German
cultural area, especially in regard to late city foundations and the areas of colonisation north and east of the
Elbe. In the
Middle Ages and
Early Modern Period, that cultural area extended throughout the southern part of the Baltic region and had a major influence on
Scandinavia. The southernmost Brick Gothic structure (in Germany) is the
Bergkirche (mountain church) of
Altenburg in
Thuringia. Other national or regional identifications have also occurred. For example, buildings of the Brick Gothic style in Poland are sometimes described as belonging to
Polish Gothic (although the vast majority of Gothic buildings within the modern borders of Poland are brick-built, the term also encompasses non-brick Gothic structures, such as the
Wawel Cathedral in
Kraków, which is mostly stone-built).
In the northwest, especially along
Weser and
Elbe,
sandstone from the mountains of Central Germany could be transported with relative ease. This resulted in a synthesis of the sombre styles from east of the Elbe with the architectural traditions of the Rhineland. Here, bricks were mainly used for wall areas, while sandstone was employed for plastic detail. Since the brck has no aethetic function
per se in this style, most of the northwest German structures are not part of Brick Gothic proper.
The lack of available stone didn't necessarily lead to the development of distinctive brick architecture. For example, some areas in
Southern Germany, such as
Upper Bavaria or
Upper Swabia also lacked building materials, but didn't create typical brick-based styles. Instead, brick cores were clad with stone
ashlar, and architectural sculpture of worked stone added. Examples include
St. Martin's Church at
Landshut and the
Frauenkirche of
Munich.
Historical Conditions
In the course of the medieval German
eastward expansion,
Slavic areas east of the Elbe were settled by traders and colonists from the overpopulated Northwest of Germany in the 12th and 13th centuries. In 1158,
Henry the Lion founded
Lübeck, in 1160 he conquered the Slavic principality of
Schwerin. This, partially violent colonisation was accompanied by the
christianisation of the Slavs and the foundation of
dioceses at
Ratzeburg, Schwerin,
Cammin,
Brandenburg and elsewhere.
The newly founded cities soon joined the Hanseatic League and formed the "
Wendic Circle", with its centre at Lübeck, and the "
Gotland-
Livland Circle" with its main centre at
Talinn (Reval). The affluent trading cities of the Hansa were characterised especially by
religious and profane representative architecture, such as council or
parish churches,
town halls,
Bürgerhäuser, for example the private dwellings of rich traders, or
city gates. In rural areas, the
monastic architecture of monks' oders had a major influence on the development of brick architecture, especially through the
Cistercians and
Premonstratensians. Between
Prussia and
Estonia, the
Teutonic Knights secured their rule by erecting numerous
Ordensburgen (castles), most of which were also brick-built.
Development
Brick architecture became prevalent in the 12th century, still within the
Romanesque period. Wooden architecture had dominated in northern Germany for a long time, but was inadequate for the erection of monumental structures. Throughout the area of Brick Gothic,
half-timbered architecture remained typical for smaller buildings, especially in rural areas, well into
modern times.
The use of brick as a replacement for natural stone began in the areas dominated by the
Welfs, with cathedrals and parish churches at
Oldenburg (Holstein),
Segeberg,
Ratzeburg and
Lübeck, where Henry the Lion paid the foundation stone of the
Cathedral in 1173.
In the
Margraviate of Brandenburg the lack of natural stone and the distance to the Baltic Sea (which, like the rivers, could be used for transporting heavy loads) made the need for alternative materials even more pressing. Brick architecture here started with the Cathedral of
Brandenburg, begun in 1165 under
Albert the Bear.
Jerichow Abbey plays a key role regarding Brandenburg Brick Gothic.
Characteristics of Brick Gothic
Romanesque brick architecture remained closely connected with contemporary stone architecture and simply translated the latter's style and repretoire into the new material. In contrast, Brick Gothic developed its own typical style, characterised by the reduction in available materials: the buildings were often bulky and of monumental size, but rather simple as regards their external appearance, lacking the delicacy of areas further south. Nonetheless, they're strongly influenced by the Cathedrals of
France and by the
gothique tournaisien or
Schelde Gothic of the
County of Flanders.
Later, techniques that led to a more elaborate structuring of the churches became prevalent: recessed wall areas were often painted with lime plaster, creating a marked contrast to the darker brick-built areas. Furthermore, special shaped bricks were produced to facilitate the imitation of architectural sculpture.
Brick as the basic material
Since the
bricks used were made of
clay, available in copious quantities in the Northern German Plain, they quickly became the normal replacement for building stone.
The so-called monastic format became the standard for bricks used in representative buildings. Its bricks measure
circa 28 x 15 x 9 cm to 30 x 14 x 10 cm, with interstices of about 1.5 cm. In contrast to hewn-stone Gothic, the bricks and shaped bricks were not produced locally by lodges (
Bauhütten), but by specialised enterprises off-site.
Image:Ziegelmauer.jpg|Brick wall in "Gothic bonding" "gotischer Verband"
Image:Germany Luebeck townhall bricks (detail).JPG|Glazed brick
Image:Formstein1.JPG|Shaped brick
Image:Formstein glasiert.JPG|Black-glazed shaped brick
19th century Neogothic
In the 19th century, the
Neogothic style, led to a revival of Brick Gothic. Important architects of this style include
Friedrich August Stüler in
Berlin and
Simon Loschen in
Bremen. Although the style became popular especially from the 1860s onwards, one of the best known examples,
Karl Friedrich Schinkel's
Friedrichswerder Church at Berlin was completed in 1831. 19th-century Brick Gothic "Revival" churches can be found all over Northern Germany, Scandinavia and parts of Poland.
Northern German Heimatschutz
Since the early 20 century, the Northern German
Heimatschutz ("homeland protection"), a regional architectural style common especially in
Schleswig-Holstein, has revived the use of brick architecture, oriented on traditional examples but free of Neogothic ornament. Villas and
Single-family detached homes in that style dominate up to the present.
Further Information
Get more info on 'Brick Gothic'.
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